Randall Scotting
countertenor       

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top ten current repertoire
Oberon
A Midsummer Night's Dream
Cesare
Giulio Cesare
Ottone
L'incorronazione di Poppea
Athamas
Semele
Orfeo
Orfeo ed Euridice
Baba the Turk
The Rake's Progress
Akhnaten
Akhnaten
Orlando
Orlando
Unulfo
Rodelinda
Rinaldo
Rinaldo
Composer
Opera or Work
Role
Britten
A Midsummer Night's Dream
Oberon

Death in Venice
Voice of Apollo

Canticle II Abraham and Isaac
Alto

Canticle V Journey of the Magi
Alto
Handel
Giulio Cesare
Cesare

 

 

Tolemeo

 
Nireno

Rodelinda
Unulfo

 
Bertarido

Semele
Athamas

Rinaldo
Rinaldo

 
Mago Christiano

 

Agrippina

Ottone

Saul
David

Xerxes
Arsamenes

Orlando
Orlando

 
Medoro

Ariodante
Polinesso

Messiah
Alto

Clori, Tirsi e Fileno
Fileno
Monteverdi
L'incorronazione di Poppea
Ottone
Mozart
Mitridate
Farnace
 
Marriage of Figaro
Marcellina
CW Gluck
Orfeo ed Euridice
Orfeo
Philip Glass
Akhnaten
Akhnaten
Stravinsky
The Rake's Progress
Baba the Turk

Bernstein

Chichester Psalms

Countertenor

 

Missa Brevis

Countertenor

Strauss
Die Fledermaus
Orlofsky
Vivaldi
Ercole sul Termodonte
Teseo
 
Nisi Dominus
Alto Solo

Ligeti

Le Grand Macabre

Prince Go Go

Orff

Carmina Burana

Dying Swan

Thomas Ades

The Tempest

Trinculo

Purcell
Dido and Aeneas
Sorceress

 

 

Witch

Rossini

Tancredi

Tancredi

GB Pergolesi
Stabat Mater
Alto
JS Bach
B minor Mass
Alto
 
Cantatas 170, 54
Alto
 
Saint John's Passion
Alto
 
Saint Matthew's Passion
Alto

 

 

 

recent acclaim
It's their voices though that complete the otherworldly effect.  Redding's soprano and Scotting's countertenor are crystal clear and well matched for their quarrelsome opening duet...they power through with rich tones and his range climbs nearly as high as hers.
-Michael Morain,
The Des Moines Register
June 27, 2007

 

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